Posted in: audience, platform, publication, Publishing, social media, writer platform, writer tips, Writing, writing fiction

Platform, platform — I thought those shoes went out in the 80s

Author platform: what is it, do I need it for fiction, and other brain-freezing topics. There’s so much written about this ugly word (I keep thinking of those awful shoes you can literally fall off and break your ankle), that my research has frozen my mind on the topic.

So here’s my hopefully refreshing take on Platform for Novelists. You don’t need one. No, you just need to be your most authentic writer-self, and in public, without asking people to do things for you. No sales pitching, no bragging (or only subtle and elegant bragging), and stuff to offer to help and amuse your fellow writers and readers. Assume you have readers and you’re all sitting around in one of those gatherings that used to be for workshopping, and how has become the circle of your favorite people to hang with and discuss life and books. Those people are your (platform) audience.

See? It’s not hard at all. It’s pleasant. It does have to be done regularly, but it can take any form that satisfies you and amuses you. I like coming up with pithy poetic fragments and coupling them with nice photos I’ve taken, usually of plants and landscapes and yes, my adorable dog. Of course, I refuse to aggressively hawk my books (except once in awhile to offer discounts but mostly through email), but I do like to talk about my three books and my WIP, a novel involving time travel and the great Italian Renaissance/Baroque sculptor Gianlorenzo Bernini.

And I also like finding and sharing writing resources for my hard-working writer colleagues. That’s why you can go to and find under Resources a long listing of literary journals and presses that accept submissions without charging contest fees.

You can scroll down here at Rocket Kids and find links to all sorts of my favorite literary and publishing resources. And here’s the soothing picture:

Visit for more information and writing by Rachel Dacus.